March 7, 2008
Lowel EGO Lights

I’m a bit late finding this, but if you haven’t seen it yet, and were curious about how the relatively inexpensive Lowel Ego Lights worked for food photos, check out Steamy Kitchen’s excellent post that shows how much difference they can make. Brilliant.

354663892_0ccce26b7e_d January 16, 2007
Workflow, Take Two: Shooting Tethered and Capture One

One of my early posts on Still Life With walked through my workflow of taking food shots in my studio (ie, my kitchen). Well, I recently realized how much a seemingly small change has made to my overall workflow. That change was starting to shoot tethered to my laptop, and it’s had numerous impacts on [...]

317234353_12490ce3b3_d December 8, 2006
Sweep & Float

One common technique for still life and product photography is floating the subject on a background, usually a single color and often white or black. These images are then easily placed in catalogs or websites without having a whole square photo look. They seem to simply float on the page. (Somewhat ironically, my floating photo [...]

222373366_7297c6b7a1_d1 August 25, 2006
An Afternoon at the Studio with Matt Armendariz

Tucked into a little neighborhood along the western edge of Route 66 is a place… a magical place. A place where memories of meals and moments are captured. It’s full of the nicest people you could meet, all working tirelessly to make picture perfect dishes. And I got to join it for a couple of [...]

198473403_fe23e5cb5a1 July 26, 2006
Photographing Cold Drinks

How do you make cold drinks look appealing? You need some condensation. And not just any condensation… condensation that holds up long enough to get your shots in. Typically, food stylists use a mixture of glycerin and water, carefully sprayed on, to make gorgeous little beads of water. But, I don’t typically keep bottles of [...]



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